- Books
- Book Chapters
- Essays
- Other Writings
Books
Arjun Ghosh, Angelie Multani, Swati Pal, Nandini Saha and Albeena Shakil eds. From Canon to Covid: Transforming Literary Studies in India. Routledge India, 2023.
Bijon Bhattacharya Nabanna: Of Famine and Resilience (translated and introduced by Arjun Ghosh) New Delhi: Rupa Publications, 2018.
Freedom from Profit: Eschewing Copyright in Resistance Art Shimla: Indian Institute of Advanced Study, 2014.
A History of the Jana Natya Manch: Plays for the People New Delhi: Sage India, 2012.
Book Chapters
“Visualizing the cultural history of South Asia” in Maya Dodd and Nirmala Menon eds. Practices of Digital Humanities in India: Learning by doing (Digital Humanities Asia Series). Routledge India. 2024.
‘Digital Avatar of Colonial Hegemony and How to Count in Indian Language Texts’ in Language, Literature, Culture and Cinema: Essays in Honour of Professor Harish Narang. Ed Madhumita Chakraborty, Anuradha Ghosh and Mukesh Ranjan. Aakar Books, 2024. pp 222-231.
“The Experience of the Left Cultural Movement in India: 1942 to the Present” in Paul McGarr and Ruth Maxey eds. India at 70: Multidisciplinary Approaches Routledge, 2019.
“In a Fresh Hue: An Adaptation of Chaturanga” in Maryrose Casey ed. Embodying Transformation: Transcultural Performance. Sydney, Monash University Press, 2015.
“The Politics and Methods of Epic Theatre” in Swati Pal ed. Modern European Drama: Ibsen to Beckett. New Delhi, Pencraft, 2012.
Essays
“Recovering knowledge commons for the global south” Journal of the Digital Humanities Association of Southern Africa (DHASA) Vol. 5 No. 1 (2024): Digital Humanities for Inclusion
UTRNet: High-Resolution Urdu Text Recognition In Printed Documents Chetan Arora Abdur Rahman, Arjun Ghosh. 17th International Conference on Document Analysis and Recognition (ICDAR 2023). [Springer Link].
“Resistance to Neo-liberal Economy and the Life of a Play: The Jana Natya Manch and Theatre Activism” in Theatre Research International. Vol. 47 Issue 3. October 2022.
“Using N-grams to identify edit wars on Wikipedia” in 2019 IEEE Fifth International Conference on Multimedia Big Data (BigMM). pp. 398-403 DOI: 10.1109/BigMM.2019.00021
“Censorship through Copyright: From print to digital media” in Social Scientist vol. 41. nos. 1-2 January-February 2013
“Challenges, Innovations and Commitment: Cultural Intervention and Cultural Resistance” in Economic and Political Weekly VOL 46 No. 24 June 11 – June 17, 2011.
“Performing Change/ Changing Performance: An Exploration of the Life of a Street Play by the Jana Natya Manch” in Asian Theatre Journal vol. 27, no. 1 (2010).
“Theatre for the Ballot: The Use of Street Theatre for Campaigning in the Indian Elections”, The Drama Review Winter 2005, Vol. 49, No. 4 (T188).
“‘Meanings’
of the Revolution: Language in the Street Plays of the Jana Natya
Manch” in Language
Forum (Jul-Dec
2004).
[Republished in Sudhanva Deshpande ed. Theatre
of the Streets New
Delhi, Jana Natya Manch, 2007.]
“How Far Radical?: Middle Class Politics, Youth and Women in the Literature of Bengal during National Liberation” in the Journal of the School of Languages (Spring 2005).
Other Writings
Study Material:
Online Course material on Vijay Tendulkar’s Ghashiram Kotwal, for the Institute of Life Long Learning, University of Delhi.
Encyclopedia Entry:
‘Tamasha’ in Rukmini Bhaya Nair and Peter Ronald DeSouza eds. Keywords for India: A Conceptual Lexicon for the 21st Century. Bloomsbury, 2020.
Neela Dabir and From Street to Hope: Faith Based and Secular Programs in Los Angeles, Mumbai and Nairobi for Street Living Children published in The Book Review Vol. 36 No. 7. Jul 2012.
Lata Singh ed. Theatre in Colonial India: Play-House of Power. New Delhi, Oxford University Press, 2009, in History and Sociology of South Asia Vol. 5 No. 1, January 2011.
Rajeev S. Patke Postcolonial Poetry in English (Oxford Studies in Postcolonial Literatures in English). New York, Oxford University Press, 2006, published in Postcolonial Text Vol. 3 No. 3 (2007).
Pradeep Trikha. Multiple Celebrations, Celebrating Multiplicity: Girish Karnad. Ajmer, A.R.A.W.LII. Publications, 2009, published in Summer Hill: IIAS Review, Vol. XV No. 1 Summer 2009.
‘Review: The Delek Archives‘ in Reviews in Digital Humanities. Vol. 3. No. 1: January 2022.
‘Finally a daycare centre at IIT Delhi‘ in thelifeofscience.com 10 Oct 2017.
‘Information cannot be leashed’ in Down to Earth. 4 Jun 2012.
‘Theatre in the Underground in Nepal’s war for democracy‘ in e-Rang No. 30, 15 Sep 2011, published by the India Theatre Forum.
‘Unique Identification Number Project: Cautious Optimism‘ in Pragoti.org. 13 November 2009.
‘Street Theatre in India’ in One India, One People. September 2008.
‘Plays for the people’ was published in Frontline. 28 January, 2005.